14 Jordan Lane, Edinburgh

14 Jordan Lane is an earlier 19th-century building that began as a single-storey, three-bay cottage, later expanded with a two-storey addition at the front. The structure features cream sandstone on the front, while the rear is constructed from coursed and squared rubble. The later addition is made of squared and snecked rubble with droved dressings.

The northern front elevation showcases the two-storey addition, which has a piend roof over the center and right bays. The ground floor includes a window and a canted timber window, along with a shouldered wallhead stack. There is a single window in the left bay, and the rendered parapet has been raised to two storeys. A glazed lean-to entrance porch with a timber dado wraps around the return, and there is a single window above on the first floor. Access to the basement, which was formerly stables, is provided by a stair on the left.

The southern rear elevation is also two-storey, featuring a part-demolished first floor and a conservatory, which serves as a studio dating back to around 1830. This conservatory has long narrow panes and a timber roof with two large skylights, and it is built against a brick wall. It includes an ashlar balustraded balcony with ball finialled dies and a forestair leading to the garden on the left. The basement level has a central curved recess flanked by sculpture niches and a central fresco, with a secondary door to the right.

The building is fitted with timber sash and case windows, featuring plate glass glazing, with four-pane and twelve-pane designs on the front and industrial glazing in the conservatory. The roof is slate with lead flashings, complemented by a wallhead stack and two apex stacks on the east and west sides.

Inside, the rear drawing room boasts a white marble fireplace with bolection moulding and a matching mirror above, attributed to Ramsay Hay. The conservatory has iron tie-beams, while the front drawing room features a latticed timber ceiling adorned with stencilled lilies and painted initials in the central panels, attributed to Sam Bough. There is also a stone stair leading to the basement, complete with cast-iron balusters.

The property is enclosed by a tall rubble wall with flat coping at the rear and sides, and a low wall at the front with saddleback coping, along with the remains of the original railings.