Church Of St Andrew is a Grade I listed building in the Test Valley local planning authority area, England. First listed on 29 May 1957. A Medieval Church.

Church Of St Andrew

WRENN ID
third-trefoil-rowan
Grade
I
Local Planning Authority
Test Valley
Country
England
Date first listed
29 May 1957
Type
Church
Period
Medieval
Address
Church Of St Andrew, Rectory Lane, Mottisfont
OS grid reference
SU 325 267
Coordinates
51.03918, -1.53649
Source
Historic England listing

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Description

The Church of St Andrew is a parish church dating back to the 12th century, with a chancel rebuilt in the 14th century. It was extensively refenestrated during the 15th and 16th centuries and restored in 1876 and 1888-90. The church is constructed of flint and rubble stone, generally rendered, with stone dressings and an old plain tile roof, topped by a shingled bellcote. The plan comprises a chancel and nave, with a 19th-century organ room and a south porch.

The chancel east window is a cinquefoiled 3-light window dating to the 15th century, with a traceried head and label, above an overhanging roof with a 19th-century truss. Stepped diagonal buttresses mark the corners. A blocked 15th-century window is positioned to the southeast, alongside a square-headed 2-light cinquefoiled window with a traceried head. A 2-light trefoiled window from the early 14th century sits to the west. A similar window is positioned opposite on the north side, while an east-facing 2-light cinquefoiled window with a quatrefoil in the head is situated centrally. A 14th-century priest’s door and a gabled 19th-century organ room with decorative lancets are also present. The nave features ogee-headed 2-light windows with quatrefoils in the heads on both sides of the east end. The south side contains a 19th-century gabled, rendered porch, and a pair of 14th-century pointed lancets at the west end. The west end has a continuously ogee-moulded 2-order door with a label. Above it is a 15th-century 3-light cinquefoiled window with tracery in the head and label, incorporating shield stops. The bellcote, set back from the roof gable, possesses 4-light bell openings and a hipped roof with a weathervane. Interior chancel windows have splayed rear arches, with a keel moulding adorning the center south window and a pointed north door.

Inside the chancel, the east window retains 15th-century stained glass, featuring restored larger figures, with intact glass in the traceried head and some in the heads of the side windows. An arch-braced roof with a moulded wall plate and tie beams is present. A 1584 monument comprises a tomb chest with four strapwork panels, above a plinth. An architrave row of kneeling figures and an inscription panel are situated inside, flanked by decorated Ionic pilasters supporting a decorated cartouche with two figure finials. A tablet commemorating Oliver Goodyer St John dates to 1804. Floor slabs include those commemorating William Sandys (1628), Francis Gofton (1684), Henry Cole (1695) and Catherine Jones (1770). A notable feature is the circa 1150 chancel arch, roundheaded with two orders; the inner order is square, while the outer order is roll-moulded and billeted with chevrons, resting on a cushion capital, plain shaft, and moulded base. The nave features splayed rear arches to the north windows and flat arches to the south windows. A plain 12th-century roundheaded south door leads into the vestry, later chamfered. A pointed west window and door are also present. An arched tomb recess is situated under the northeast window, while an ogee-arched recess lies beneath the southeast window. A rectangular niche is positioned to the southeast. The nave roof is plain, and the west bay contains three posts on each side supporting arch-braces for the bellstage, which houses five 17th-century bells. A memorial from 1693 commemorating the Meinertzhagen family, originally from Germany, is affixed to the south wall. The font, situated in the northwest corner, features a 12th-century square bowl on a 19th-century base. The furnishings are largely 19th-century, with the exception of an early 20th-century Jacobean altar and pulpit.

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