Leavesden Road Baptist Church

Baptist church with hall and institute. Constructed in phases between 1895 and 1896 to the designs of Kennet John Beecham, and 1908 to 1909 employing instead George Baines and Son, the latter architects notable for the design of Nonconformist chapels in the late Victorian and Edwardian period.

Materials

All three parts of the site are constructed of brown and red brick, with some limestone and terracotta dressings to the Edwardian phase. The hall is roofed in late 20th-century plain tiles and the church and institute are both covered in Welsh slate.

Plan

The buildings fill the site with a narrow alley between the hall and church. The hall is at the corner of Leavesden Road and Garfield Street, with the church parallel to the north, and the institute to the west. The plan of the church features a T-shaped auditorium focused on a raised pulpit and dais in the crossing at the west, with raked galleries to the north, south and east. Within the dais is a sunken baptistery which connects to a pair of angled doors beneath the pulpit, these lead to a pair of vestries with a folding partition enabling them to be separated. Above the baptistery vestries is a large organ loft and a small choir gallery behind the pulpit facing into the auditorium. To the rear of the auditorium are a number of ancillary spaces including vestries for the choir, deacons and pastor. The plan of the institute at ground floor has been altered but still communicates with a staircase to the rear of the church to access a large classroom at first floor. The hall is a single large space with a stage at the west end.

Exterior

The principal exterior elevation is at the east front of the church facing Leavesden Road. This is a two-storey elevation with a wide central bay flanked by stair turrets to north and south. At the ground floor are three entrances, that in the central bay is larger and has a late 20th-century or early 21st-century replacement glass door with a glazed over-light of cusped perpendicular tracery. Either side of the central doorway are windows with paired ogee lights in rectangular openings, all of which projects slightly beneath a crenellated cornice and a gable terminating in wave-moulded copings. The gable is decorated with a chequerboard of limestone and red brick, and its top penetrates the sill of the window above with a ball-flower finial. Both stair turrets are lower in height than the central part of the building, though they maintain the banded limestone masonry and red brick appearance of the rest of the elevation. They are canted at their outer corners, and each has a hipped roof with decorative ridge tiles and finial. At ground floor they have wooden double doors with iron handles, decorative strap hinges, and Arts and Crafts stained glass motifs set into their upper panels. The tympanum above the door is decorated with blind-tracery. At first-floor level the stair turrets have a rhythmic series of four narrow windows of cusped ogees in upright rectangular openings. At the centre of the elevation is a large window of five lights with elaborate perpendicular tracery, at the head of which is an arrangement of mouchettes forming a heart shape. The upper part of the elevation terminates at either side in square pinnacles, each topped with four square finials, connected to the central gable by an open gothic parapet. The coping of the gable is interrupted in its upper half by wave moulding, and a further band of chequerboard decoration beneath a broad limestone finial with a wave-moulded cap.

The side elevations of the church maintain the consistent use of gothic detailing to all fenestration, however the limestone banding to the wall surfaces is replaced with the use of blue brick bands.

Hall

The hall is separated from the pavement of Leavesden Road by a modern boundary wall. Its principal elevation is a large gable facing east and features a projecting gabled porch with a terracotta finial and a plain two-centred arch over the doorway. Either side of the porch are paired lancets. Above the porch is a large window of four lancets and three occuli set in two-centred arches. The elevation is divided into five stages by brick string courses, with a small pair of louvered lancets at the uppermost stage, and a broken terracotta finial at the top of the gable. The Garfield Street elevation of the hall consists of five bays of paired lancets separated by stepped brick buttresses, beneath a cogged-brick eaves cornice.

Institute

The institute faces Garfield Street and is a two-storey building with a hipped roof and a central gable. The ground floor connects to the adjacent hall and features two windows with terracotta mullions and transoms with three main lights and clerestorey lights above. The entrance has a modern doorway in a brick surround. At first floor the institute is separate from the hall and has a central window beneath the gable arranged as a pair of lancets with a quatrefoil oculus above. To either side of the central window is a smaller rectangular window with modern plain glazing. In front of the institute a cast iron railing with heart-shaped decoration guards a staircase to the boiler room.

Across the exterior of the church and the institute stylised terracotta ventilation bricks can be found with a heart-shaped tulip motif. Almost all of the historic glazing on the institute and hall has been replaced in uPVC.

Interior

The galleried auditorium of the church has an exposed hammerbeam-style roof with elaborate iron tie-bars, supported on moulded gothic capitals and slim iron columns. Pews, exceptionally and distinctively in concentric curves, fill the church floor though a small number of benches have been removed, and the gallery retains its complete set of raked pews; most pews retain book rails and umbrella stands and trays. The central pulpit has carved blind tracery to the front and is reached by flanking staircases with decorated brass balustrades. The original mosaic tiling of the baptistery has been replaced in the later 20th century, but the marble treads to the steps are largely intact. A number of free standing chairs in the auditorium appear to be consistent with the carved furniture around the dais and may also be original. The organ was originally installed in the Royal Military Academy Memorial Chapel at Sandhurst, Berkshire, in 1878 and was relocated here in 1924 by Blackett and Howden Ltd.

To the east of the auditorium the vestibule was reconfigured in 1996, reusing some original stained glass. The stair lobbies retain their doors and staircases. Throughout the church and its ancillary spaces the building's first heating system survives. Doors retain hand painted signage. The stained glass is a consistent scheme of Arts and Crafts floral motifs that survives throughout the church and most of its ancillary spaces. Stone staircases with simple iron balustrades and broad wooden handrails survive in each stair lobby and in the interconnecting lobby between the institute and the vestries at the rear of the church.

Hall

The hall retains an arch-braced king-post roof structure concealed beneath a later suspended ceiling. The westernmost bay of the hall has been divided to provide a stage and a short corridor, leaving the remaining four bays as an open interior space. The floor has been replaced.

Institute

The institute at ground floor has been subject to later 20th-century subdivision and alteration with a meeting room and kitchen inserted. At first floor there is a single room with a partially exposed roof structure and surviving stained glass in the north-facing window.