Saint Peters Vicarage

House. Built between 1911 and 1912 by C.E. Bateman. The house is constructed of thin, brown brick laid in various bond patterns, with tile and slate dressings and a tile roof. Situated on a slope, the building is organised around seven different pitched roofs, with two main ranges facing east. The more southerly range is elevated and contains the entrance. A large, projecting cross-wing forms the south front, alongside a smaller cross-wing. Further cross-wings extend westwards from the northern range. The house is two storeys high, with an irregular pattern of windows. A rounded arched entrance features a hoodmould and a simply panelled door that leads to a porch. The main features of the east front include a gable over the entrance and a two-storey bay window with a gable over its front face and a parapet to the sides. The south front has a five-sided, two-storey bay window with a parapet, while the north front features two gables, one taller than the other, with a stack rising from the kneeler of the western gable. The rear elevation presents a varied roofscape of gables, the largest being to the south, followed by a smaller one with a square stack emerging from its kneeler. This stack projects into the next gable, which is above the staircase, and is followed by two further gables of roughly similar height. The varied roofscape is punctuated by five tall stacks, often positioned at the edge of gables. The stacks are brick-built with cornices incorporating courses of tiles set on edge, topped with decorative pots formed of four slates set on edge. The two largest stacks are square and have understated quoins at their corners. The interior remains largely unaltered, with original architraves, doors made of moulded plank construction, and original fireplaces. The staircase has a square newel, turned balusters, and a ramped handrail. The sitting room features a wooden chimney piece in the style of Philip Webb and W.P. Lethaby, with a surround of pink and green marble, square, unmoulded panelling to the overmantel, and a dentil cornice, flanked by fitted bookcases with lozenge patterns to the glazing bars. The windows are flat-arched; those with multiple lights have brick mullions, leaded lights, and lintels marked by tiles set on edge.