Penuel Baptist Church

Large, square plan chapel in simple classical style with vestry and schoolroom behind. Smooth render to walls with some added stucco dressings. Slate hipped pyramid roof with terracotta ridgetiles. Facade has thin raised surrounds to openings, hoods to arches and angle quoins, all added. Central arched door and four arched windows, the two outer ones longer. C20 glazing. Panelled double doors with coloured glass fanlight, with intricate radiating glazing bars. Two-storey, 3-window side walls with flat heads to windows. Gabled vestry with modern brown uPVC door behind, with a further corrugated iron extension.

Light and airy interior of 1839 "grandly scaled and remarkable for its period" (Newman). Square plan with entrance behind the pulpit. Remarkably complete painted graining to the joinery. Box pews below and gallery pews are panelled, raked at both levels and canted, radiating out from the pulpit, the first row acting as the big seat. Remarkably large and high rectangular balustraded pulpit platform with vertical panels below, turned balusters and matching straight steps both sides. The platform covers a total immersion font. Back wall three-arched timber panel flanked by panelled pilasters. Immediately each side are windows to the lobby, with coloured margins. Lobby doors are in canted wall each side of platform steps, and lobby top has low balustrade for use as additional gallery.

Exceptional gallery, with deep canted angles such that it is almost 5-sided. Eight plain iron columns. The gallery front has painted cove, bracketed cornice decorated with a painted band of quatrefoils. Main front has very unusual arched panels each holding a double arch with tiny quatrefoil in centre spandrel. Small turned columns in each angle of front, and centre clock by Williams of Merthyr. An ornate painted organ by Peter Conacher & Co. of Huddersfield is added in centre gallery, later C19.

Oil cloths still on the floors (below carpets), tiled floor in lobby. Two plaques to the ministries of the Revs. George Griffiths and John Jones (Mathetes).

Plaster cornice and border to ceiling, the rest a large multi-coloured boarded square with diagonal ribs to centre rose and ribbed border panels with square corner vents. Very large centre rose with centre radiating leaf and flower motif, two patterned bands, a wide plain circle and outer moulding. Rear vestry still has its panelled closing partition.