Church of St. Michael

Built of random grey/red sandstone with dressed quoins, natural slate roofs. Nave and chancel under a continuous roof, north aisle and south porch to the nave, west tower. The south wall is continuous with six bays (4 + 2 nave and chancel) and two projections for the porch and the rood-loft; thus window, porch, window, rood, priest's door, window. The first window is a 2-light square headed Perpendicular one with cinquefoiled lights and glazed spandrels. To the left of this is a reset medieval carving of two angels. The porch is a deep gabled one with an open timber entrance i.e. no stone arch, side-lights with cusped heads. The porch seems C15 but has been repaired; it also seems to be an addition to an older structure as the doorway within has a 2-centred head and a continuous sunk chamfer moulding. The next window is a large 3-light one as before, then the projection for the rood with a small lancet. The chancel has the priest's door with 2-centred head then another 2-light window as before. The east gable is coped with an apex cross. The east window is pointed with two cinquefoiled lights and a quatrefoil in the head. The north wall has a blind chancel, a 2-light rood window and a north aisle under a catslide roof with a single light and a 2-light window; the single light window has a cinquefoil head with relief carvings of ironworkers' tools in the spandrels. The tower is square and massive with sharply defined quoins. There are three undefined stages with small rectangular lights on the south and west faces at the base and the south and north faces on the stage above. The bell-stage, which shows signs of reconstruction, has a 2-light opening under a carved single stone lintel. Pyramid slated roof.

Continuous roof to nave and chancel, seven principal rafter trusses with arched collars, light purlins, secondary rafters and ridge piece; the rafters are continuous into the north aisle over the heavy wall-plate supported by the arcade; simple 4-bay arcade of moulded oak columns, reeded mouldings which die out into carefully carved bases. C16 font. Victorian furnishings.