Church of St Gastyn

Church in early Gothic Revival - Early English - style. Built of coursed rubble with ashlar dressings, stone tile roof in diminishing courses, blue ridge tiles, apex crosses, stepped coping. Plan of W tower, nave, S porch, short chancel, SE organ chamber, NE vestry. W tower of 2 storeys, plain string courses at 3 levels, plain coping; staircase tower NE and gargoyle N; ringing chamber has double pointed arched louvred lights with pierced quartrefoil tracery and hood mould with scroll stops on 3 sides; lancets to tower chambers and staircase. Wider nave has steep and deep roof with moulded ends to rafters and hollow chamfered eaves course; nave windows are single lancets. S porch has similar pitched roof with prominent kneelers, plain chamfered pointed arched doorway. SE organ chamber wing has similar priest's door and a pair of chamfered lights with armatures S. Chancel has similar lancets N and S and E window of 3 lancets in Early English style; NW wing has narrow trefoil headed door with hood mould and prominent external stack decoratively and asymmetrically stepped with quatrefoil decoration. Church stands in a walled near circular churchyard with contemporary lychgate SW with Gothic Revival timberwork.

Interior has white walls with exposed ashlar dressings and painted texts, inscriptions and stencilled decoration. Nave of 5 bays with arched-brace trusses and 2 tiers of windbraces. Floor of encaustic tiles patterned in red, yellow and black. Inscriptions are painted below wallplate and over chancel arch, commandments on each side. High pointed tower arch; deep window splays. Octagonal font heavily moulded with quatrefoils, inscription and base of 3 colonettes part marble, wooden pyramidal font cover suspended above; delicate wrought iron candelabras. Pointed chancel arch has an elaborately carved wainscot screen which appears to be mostly medieval. Elaborately decorated chancel has painted stencilled dado, E wall and arch mouldings; also a painted roof. Fine metal grille to organ chamber and painted pipes to organ. More decorative floor to chancel, and more so to sanctuary. Stained glass in all windows by Clayton and Bell, mostly figures set in grisaille.