Drumlanrig Castle

Composite courtyard-plan castle with square angle towers;

mid/later 16th and intermittent 17th century additions and

alterations culminating in 1679-89 re-modelling - probably to

design provided by Robert Mylne - forming Renaissance

mansion, with elaborately ornamented north show front and

regularised openings: James Smith superintending architect,

William Lukup, master of works. Angle towers 5 storeys,

recessed linking ranges 1 storey lower.

Courtyard and north elevations all pink ashlar with

pedimented openings; remainder rubble-built with ashlar

dressings.

North elevation: stepped roofline; main entrance at head of

horseshoe stair (latter a replacement by Howitt, circa 1860)

in richly-carved projecting square bay (carving by Peter

Boyse and Cornelius Van Nevern) cupola over latter surmounted

by Ducal Coronet; arcaded, vaulted and balustraded terrace

(vaulted arcade possibly incorporating or re-using earlier

work) fronts ground floor under terrace running full width;

front hall (originally open loggia) glazed 1813 by William

Elliot; apices to pedimented windows touch cill or break into

band course above; giant Corinthian pilasters to inner bays.

3 remaining elevations comparatively plain with most windows

altered indicating some change in floor levels; some blocked

openings, including 2 gun ports (? in earliest existing

fabric) at east; corbelling and balustrades at wall heads,

uneven rope-moulding and irregularly placed spouts; angle

bartizone to towers with asymmetrically placed openings,

quatrefoils, or set in quatrefoil panels. Canted balcony to

south (? by Smith) and steps with fine wrought ironwork by

James Horn of Kirkcaldy (outer flights of steps possibly by

Howitt), sundial by Thomas Wynne of London, 1692. Courtyard

at principal floor level with stair turret in each angle

inscribed with variety of dates. Ornamented leadwork;

corniced stacks (some not original, some rebuilt).

Principal roofs shallow-pitched, turret roofs bell-cast - all

leaded.

Interior: Alterations including circa 1930 renovation, eg in

original dining and drawing rooms and picture gallery, but

many 17th century features remain, including some panelling

(though mostly re-arranged); some wooden carvings possibly by

Grinling Gibbons; state bed chamber said to be unaltered,

with fine panelling and hanging tapestries; grand (timber)

stair (1696-7) with barley-sugar balusters; some ceilings by

William Burn. Ground floor vaulted;

Cellar in south east tower.

Walled court to north with square end pavilions (originally

bell-cast), balustrades and banded square piers; long

flanking blocks and 2 parallel coachhouse/stable ranges

extending to west mostly by William Burn and William

Atkinson.

Garden terraces and ornamental urns; latter ornately carved,

white marble, with ashlar bases.