3 Charlemont Square West, Bessbrook, Co. Armagh, BT35 7AF is a Grade B2 listed building in the Newry, Mourne and Down local planning authority area, Northern Ireland. First listed on 15 May 1981.
3 Charlemont Square West, Bessbrook, Co. Armagh, BT35 7AF
- WRENN ID
- woven-belfry-burdock
- Grade
- B2
- Local Planning Authority
- Newry, Mourne and Down
- Country
- Northern Ireland
- Date first listed
- 15 May 1981
- Source
- NI Environment Agency listing
Description
No. 3 Charlemont Square West is a modest two-storey, two-bay mid-Victorian mid-terrace house, built around 1862 as part of the planned mill village of Bessbrook, County Armagh. The architect is unknown. The house is listed along with its gate, railings and yard walling, and sits within the Bessbrook Conservation Area.
The building is constructed in random-coursed, rock-faced local Newry Granodiorite — a high-quality granite quarried on the former Charlemont Estate, the same material used in the construction of Manchester Town Hall and the great steps of St. George's Hall in Liverpool — with painted red brick dressings. Window and door openings have painted stone cills and stepped red brick surrounds to gauged-brick cambered heads, though these are generally now squared off with painted smooth cement render. The pitched roof is finished in fibre cement with angled black clay ridge tiles. A rectangular-section red brick chimney to the northwest, rebuilt around 1980, carries two terracotta pots. The eaves are flush with a red brick corbel course. There are no rainwater goods to the front elevation; uPVC half-round guttering at the rear discharges to circular-section downpipes.
The front elevation faces northeast and is near-symmetrical, sitting flush with the main terrace. It has a regular fenestration pattern: a panelled painted timber door to the southeast side of the ground floor — two solid panels below two glazed panels with brass furniture and a square-headed fanlight above — and a window to the northwest. Both first-floor windows align with the ground-floor openings. All windows are double-hung 1/1 sliding timber sash with window horns and exposed sash boxes, installed in 1999. A modest paved front yard is enclosed by concrete dwarf walling topped by plain hooped painted metal railings, with a matching foot gate hung on slim posts to the southeast. A concrete path leads from the gate to the front door.
To the northwest the building is attached to No. 4 Charlemont Square West, and to the southeast it is attached to No. 2 Charlemont Square West. The southwest-facing rear elevation, where visible, consists of a single-bay two-storey pitched-roof rear return projecting into the rear yard, added around 1984, giving the house an overall L-plan form. A planked painted timber door leads from the rear access route to a narrow L-shaped yard, a single bay in width at its northwest extent. The rear elevation is finished in roughcast cement render with timber top- or side-opening casement windows.
No. 3 is one of twenty-five similar houses which, together with one larger two-storey-with-attic-level shop building to the southeast, form the western terrace of Charlemont Square. The square as a whole comprises 66 buildings in total — including the east, north and west terraces — arranged on three sides around a central green, primarily accessed from Fountain Street to the southeast. The east and west terraces are stepped in groups of two dwellings, reflecting the subtle relief of the site. Larger buildings with traditional shop fronts at ground-floor level and dwellings above occupy the southeastern ends of both the east and west terraces. The shorter northern terrace consists of only eight buildings, though these are distinctly larger two-and-a-half-storey paired houses. Each house in the square is set back from the perimeter road and footpath behind a modest front yard enclosed by dwarf walling and hooped metal railings. Rear yards are generally enclosed by random-coursed rubble stone walling with a square-headed door opening onto a wide rear access route; rear façades are much altered with various extensions of different shapes and sizes. The central green is now laid to lawn, enclosed by hooped galvanised metal railings with some established trees along its boundary. A children's playground to the southeast contains a monument to the installation of electric lighting in 1911, and Bessbrook's War Memorial is centrally located to the southeast of the playground.
The historical and social importance of the building is considerable. Bessbrook was effectively founded in 1845 when John Grubb Richardson (1813–1891), a Quaker linen merchant from Lambeg, purchased one of the derelict mills on the site — which had first been developed in 1761 by a Mr. John Pollock, who opened a woollen mill and bleach green and renamed the place Bessbrook after his wife Elizabeth (Bess) and the nearby Camlough River — and began constructing housing for his factory workers. Richardson, a member of the Religious Society of Friends, laid out the village as a social experiment and model community, influenced by the town-planning ideas of the American Quaker William Penn, who had developed Philadelphia in the late 17th century. He described his own motivation as a desire to avoid responsibility for a factory population in a large town, and instead chose a country district near Newry with water power and local flax cultivation. His philanthropic approach led him to bring the poor, the unqualified and beggars from the surrounding countryside to live and work at Bessbrook, hoping to encourage self-improvement. Bessbrook became known as the village without the "Three P's" — no public house, no pawn shop, and therefore no need for police — a stipulation that Richardson enforced while providing his workers with recreational and educational facilities at the Institute, well-stocked shops, and distributions of milk, tea and cocoa. The majority of the population voted to preserve this ordinance in the 1870s, and no public house exists at Bessbrook to this day. Police were not stationed in the village until the turn of the 20th century.
The local linen industry boomed during the American Civil War (1861–65), when access to American cotton was cut off. Richardson expanded his factory and workforce significantly during this period. Lord Charlemont sold the remainder of the Camlough Estate to Richardson in 1865, making Richardson both the principal employer and the main landowner at Bessbrook. Charlemont Square was laid out between 1862 and 1866 to accommodate the influx of new workers; between 1861 and 1871 the population of Bessbrook rose from 637 to 2,215 and the number of houses from 73 to 296. The terraces were built by masons and joiners employed by the Bessbrook Spinning Company. The architect of the houses is not known with certainty, though the architectural historian C. E. B. Brett has suggested that John Hardy, a civil engineer appointed company architect in 1881, may have carried out some work at Bessbrook in the 1860s, though his role may have been limited to mill building expansions.
Each house in Bessbrook was owned by the Bessbrook Spinning Company and contained between three and five rooms. Tenants were required to sign an agreement containing stipulations about the keeping of fowl and pigs — permitted in a garden pig-sty and fowl-run but not in the family quarters or yard — and obliging them to send their children to school until they were old enough for mill work.
Griffith's Valuation of 1862 recorded Charlemont Square West — captioned "new row" — as the only completed side of the square at that date, with all 26 buildings still unoccupied. The remainder of the square was completed and occupied by at least 1866. No. 3 Charlemont Square West was initially let by the Bessbrook Spinning Company to a Ms. Patience Haydock and valued at £5 and 10 shillings. Occupants changed frequently over the following decades, but the valuation remained unchanged until the 1950s. By 1911, according to the Census of Ireland, the house was a second-class dwelling of five rooms, occupied by Mary Gregory, whose entire family worked at the Bessbrook Spinning Company as linen spinners, rollers and doffers. The Gregory family continued to reside at No. 3 at least until the 1970s.
During the 20th century the mill continued to expand and gained the Bessbrook Spinning Company international recognition; during the Second World War its workers were tasked with supplying cloth for military uniforms. The company retained ownership of housing along Charlemont Square until the 1960s, when the dwellings began to be sold to private individuals. The majority of houses along the square were purchased by C. R. Morrow, a local car and farm machinery dealer, around 1970, including No. 3, which was increased in value to £7 and 10 shillings under the Second General Revaluation (1956–72). The post-war downturn in the local textile market led to the closure of the mill in 1972, after which the building was occupied by the British Army.
No. 3 Charlemont Square West was listed in 1981 and was included in the Bessbrook Conservation Area, designated in 1983 in recognition of Bessbrook's historical significance as a planned mill village and its distinct form and character. The Conservation Area Guide identifies the carefully planned development of Bessbrook as having influenced the design of the English model villages at Saltaire (1852), Port Sunlight (1888) and Bourneville (developed by the Cadbury family in 1895), which in turn directly influenced town and country planning all over the world. Bessbrook is considered internationally significant as one of the earliest planned mill villages, pre-dating Port Sunlight by over forty years.
Around 1980 the building underwent an extensive renovation including the rebuilding of its chimneys, repointing of its stonework, and the installation of cast iron rainwater goods. The two-storey rear extension was added around 1984 and the current sliding sash window frames were installed in 1999. The building retains its original Victorian character and continues in use as a private dwelling.
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