Numbers 32 And 34 And Attached Front Garden Walls And Piers is a Grade II listed building in the Bristol, City of local planning authority area, England. First listed on 30 December 1994. Paired houses. 5 related planning applications.
Numbers 32 And 34 And Attached Front Garden Walls And Piers
- WRENN ID
- nether-corbel-vetch
- Grade
- II
- Local Planning Authority
- Bristol, City of
- Country
- England
- Date first listed
- 30 December 1994
- Type
- Paired houses
- Source
- Historic England listing
Description
Numbers 32 and 34 are a pair of attached houses dating to 1896, designed by Henry Dare Bryan. They are built of snecked limestone rubble with limestone dressings, with tile-hung second-floor gables, brick ridge and diagonally-set stacks, and a plain tiled and concrete roof. The houses follow a double-depth plan and are constructed in a Queen Anne style.
The houses are three storeys high, with a four-window range. They present a symmetrical facade with entrances on the sides, and projecting paired central gables. Stone-framed mullion and transom ground-floor windows have fine leaded casements. Carved doorcases feature foliate corbels supporting wany brackets, a tiled canopy, a three-light overlight, a date panel, and a battened, two-leaf elliptical-arched door. The gables have three-light windows with small pediments on the ground floor, timber windows on small brackets with casements and glazing bars on the first floor, and similar windows beneath shallow jettied timber-framed gables on the second floor. Outer ground-floor square bays are flush with the central gables and have four-light windows. Timber railings enclose balconies above, which have Venetian windows with rubbed brick arches. Large eaves dormers have bracketed windows and timber-framed gables. The rear elevation is flat, with semicircular-arched stair lights and a single-storey service block.
The interior includes a hall screen with stained-glass doors and side windows, a black and white tiled hall, an elliptical arch to a dogleg staircase with turned balusters and large turned newels, five-panel doors, cornices, and fireplaces.
Attached to the front are garden walls with piers, topped with ball finials. The design is strongly influenced by Norman Shaw’s Bedford Park, 1881.
Detailed Attributes
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