Church of St Mary, including the attached presbytery (32 High Street) and war memorial

Roman Catholic church on the site of an earlier chapel, built between 1855 and 1857 to an initial design by R. E. Philips, modified in 1874 by H. J. Hansom, and extended between 1897 and 1898 including the construction of the adjacent presbytery, possibly to the designs of A. J. C. Scoles. A war memorial was added in 1919.

The church is constructed of brick, largely laid in English bond, with ashlar dressing, under tiled roofs.

The church runs back from the High Street with the nave's liturgical west end facing south, a liturgical south aisle to the east, and the sanctuary (the liturgical east end) to the north, flanked by side chapels. To the west is the attached presbytery, which also faces south onto the High Street, with rear wings extending to the north. The following description uses the liturgical directions.

Church Exterior

The 1897 liturgical west end contains a pointed arched doorway with a trumeau between two doors, featuring a corbelled shaft supporting a niche containing a statue of Our Lady in the tympanum with rich foliage decoration to either side. The door is flanked by lancets with cusped heads, and beyond are stepped buttresses. Above is a four-light window with Decorated tracery and a trefoil circular vent. The gable end is topped by curving kneelers and a stone cross. The lower gable end of the liturgical south aisle has a single doorway and a circular window above with four encircled quatrefoils. The liturgical north elevation includes tall triple-light windows, flat buttresses, and a small lean-to store. The liturgical south side includes smaller two-light windows and a pair of lean-tos housing the confessional and a side chapel. The liturgical east end is rendered and includes a gabled projection that encloses the stonework of the east window. This is flanked by the brick side chapels lit by triangular and pointed-arched openings. Between the chapel is the 19th-century brick single-storey end containing the vestry, with large triangular-head openings. There is also a mid-20th-century single-storey brick addition.

Presbytery Exterior

Attached to the west side of the nave is the presbytery, part of the 1897 rebuilding. The ground and top floors of the front elevation have rectangular windows, while the first-floor windows are within pointed arches; most windows include cusped lancets, mullions and transoms, all with corresponding hood moulds. The entrance bay is recessed and includes a pointed-arched entranceway and a ground-floor two-light window, a further two-light first-floor window, and a 20th-century dormer in the roof pitch above. To the east is a slightly projecting gabled bay with a large five-light ground-floor window, a pair of two-light first-floor windows, and a central two-light top-floor window. Below the first floor is a drip-mould band. The window units behind the stone frames have all recently been replaced with uPVC. There are metal raingoods with decorative hoppers. The rear of the presbytery is an irregular arrangement of late 19th-century or early 20th-century single, two and three-storey lean-tos and gable-end wings. There is a stone multi-lancet window where the presbytery is joined to the church. Most of the other windows have uPVC units and sit under cambered-brick arches. One large and one small dormer have been added to the roof. Most of the rear doors have been modified. The long single-storey wing has been widened at one end.

Church Interior

Beyond the west porch is the narthex, which includes a side porch, an enclosed spiral staircase leading up to the organ gallery, and a door leading through to the presbytery. There is a timber glazed screen in front of the small pointed-arched colonnade which divides the narthex from the nave. Above is the organ gallery with a moulded-plaster gallery front with trefoil detailing and a large four-centred arch. The nave has six bays and is flanked by a row of four-centred arches with moulded surrounds; there are also foiled circles in the spandrels. Beyond the arches on the liturgical north wall are blank recesses. Above the arches is a moulded band and three-light clerestory windows, all with pointed cusped heads. Those windows to the liturgical north are taller than those to the south. The timber nave roof consists of four-centred arch trusses sitting on stone corbels, with foiled circles in the spandrels. To the liturgical south is an aisle which terminates at an arch leading to an octagonal baptismal font with quatrefoil detailing. The rest of the aisle is lined with four-centred arch recesses, one of which includes the entrance to the confessional; above are two-light clerestory windows interspersed with single lancet recesses, all with cusped heads. The canted ceiling is decorated with ribs and foliate bosses. At the liturgical east end is a wall with a large pointed arch leading through to the sanctuary. The wall above is pierced by four open circles: the lower pair opening through to the sanctuary, the upper pair part blocked and part glazed to the exterior. Within the sanctuary the surrounding arches include green-marble colonettes. The sanctuary has a high altar decorated by cusped heads with green-marble colonettes and a central quatrefoil, and an arcaded reredos containing painted panels. Behind is the liturgical east wall with a large stained-glass window above; this work has been attributed to either Geoffrey Semper or Geoffrey Webb. On either side of the sanctuary are elongated chapels with canted ends and ceilings with foiled and ribbed tracery. There is further tracery to the chapel altars with polygonal ends decorated by tracery. The side wall of the south chapel includes the monument commemorating Maria Francesca D'Asis De Bourbon. There are also statue niches, and most of the openings at the far ends of the chapel have triangular heads. Behind the sanctuary are further rooms including the vestry and flower room. The church's side walls include painted panels showing the Stations of the Cross; they are reported to have been cut down and painted by a member of the congregation. Within the nave are open-back pine pews. Within the south aisle is a Pieta statue designed after Michelangelo's Pieta in St Peter's Basilica in Rome; it was presented to the church by the Woolfrey family between 1910 and 1930. There is a brass eagle lectern which has come from an Anglican church. The timber altar rail is a later addition. The wooden floor is a recent recovering.

Presbytery Interior

The three-storey presbytery has a small entrance hall. The rooms are arranged in an L-shape around a two-storey panelled main staircase which includes a timber banister with chamfered-square newel posts topped by decorative finials and turned balustrading. There is also an adjacent winder secondary staircase leading up to the top floor, with a timber banister with turned newel posts and balustrading. Parts of the presbytery, including several internal doors, have been modernised and replaced; the ground floor has been partially converted to office use and on upper floors there has been some subdivision of spaces to create additional bathrooms and bedrooms. There are two original stone fire surrounds in the principal ground-floor rooms. There are two further marble stone fireplaces on the first floor and a metal fireplace on the top floor.

War Memorial

Against the liturgical west end is a war memorial with a square plinth. Above is a panelled base with an ogee frame; the upper panels contain the Roll of Honour. In the middle is a tall crucifix under an open-pediment cover.