1-14 Marlowe Court is a Grade II listed building in the Richmond upon Thames local planning authority area, England. First listed on 22 December 1998. Residential flats. 1 related planning application.

1-14 Marlowe Court

WRENN ID
far-forge-owl
Grade
II
Local Planning Authority
Richmond upon Thames
Country
England
Date first listed
22 December 1998
Type
Residential flats
Source
Historic England listing

Description

Marlowe Court comprises four residential blocks arranged around a courtyard, built in 1954–55 by Eric Lyons for Bargood Estates Ltd (subsequently Span Developments Ltd). Geoffrey Paulson Townsend was the developer, G Scoble the project architect, and Wates the builders. The blocks contain one six-flat block, one two-flat block, and two three-flat blocks.

The buildings are constructed of brick cross- and partition walls with concrete, Eternit block and tile hanging, with flat felted roofs. Each block has a brick stack positioned near its ends. Two storeys throughout. The courtyard formation is integrated with adjacent schemes: Nos. 1–3 are linked at corners with Spenser Court, while Nos. 4–14 are linked in U-formation and also connect with Brooke Court.

All long façades feature full-width timber windows with three square lights per bay, some with top-opening casements. The storeys are divided by tile hanging.

Nos. 1–3 comprise six bays. The first floor of the eastern two bays is supported on stilts with the end crosswall spanning over an open ground floor. The entrance adjoins this, with plate glass windows including two vertical-light windows and louvres to the main façades. The north façade displays normal tile hanging and glazing to the first floor. Adjacent bays have two deeper windows divided at sill level with window boxes on the south façade, while the rear façade features central blind panels. Western bays include one light blind, with windows in the western wall serving flats 1 and 2. Glass half-screens enclose these units.

Nos. 4–6 are similar in design but comprise five bays, with only one bay open at ground floor. A glass half-screen encloses these units. Flat 6 has a window in its southern wall.

Nos. 7–10 comprise eight bays. The entrance and stairs occupy the fourth bay from the east, with a plate glass window to the right of the entrance on the north (courtyard) façade, accompanied by a vertical two-light window and louvres. The south façade has a similar window and louvres arrangement at ground floor with normal glazing above. Flanking bays and that at the west end display two deeper windows divided at sill level with window boxes on the south façade, and tripartite windows to the north. The remaining bays each have one blind light. Flat 9 has one window in its eastern wall. An entrance to the stairs is screened by a timber screen with numbers inset at dado height.

Nos. 13–14 comprise four bays. The entrance to Nos. 11–14 is located at the south end, with two-bay four-light windows of full height above and to the side. The south bay of the west façade has a vertical two-light window and louvres to each storey; the adjacent bay has two deeper windows divided at sill level with window boxes. Other bays feature single lights blind. The east (courtyard) façade comprises three bays: the southern bay has one blind light and two in tripartite composition, while the end bay has a central blind light.

All stairs are constructed of terrazzo with steel balustrading inset with timber panels to the first flight and first-floor landing. Nos. 1–3 have doors to stores with green glass, Nos. 4–6 with blue, Nos. 7–10 with green, and Nos. 11–14 with blue. Interiors originally featured timber floors and some had sliding living room partitions, though the interior has not been inspected since listing.

Marlowe Court represents the central and one of the most complex courtyard groups within the Parkleys Estate, the first, largest, and arguably the most influential of Lyons's schemes for Span Developments. Eric Lyons and Geoffrey Townsend first met in the late 1930s and renewed their partnership after wartime service, developing several small private schemes across the south-west London and north Surrey border until 1954, when Townsend established himself as a developer and relinquished his RIBA membership. This scheme marks their first mature collaborative work under the Span Developments Ltd banner.

The development was built on the site of a nursery, with the blocks carefully laid out to preserve existing trees. The nursery stock and its gardener were retained as part of the development. The estate is organised as a series of cul-de-sacs with blocks positioned around pedestrian quadrangles. The combination of two- and three-storey blocks is distinctive to Parkleys, as is the use of brick and tile hanging—a material combination subsequently repeated in later Span works, particularly at Blackheath. The mixture of traditional materials employed in a modern manner created a particularly humane environment that gained widespread admiration.

Lyons's squares and terraces provided a modern vernacular response to the Georgian tradition of central London, set within lush suburban landscaping at relatively high densities—approximately eighty persons per acre—a density that frequently brought Span into dispute with planning authorities. Parkleys was developed for first-time buyers, and Span was among the first companies to promote the endowment mortgage. The estate was also the first to implement Span's system of residents' management companies, a structure that has maintained most of their developments in exceptional condition. Each leaseholder contributes to the funding of paid maintenance staff and holds membership in the management company that operates the estate.

Lyons was widely admired for bridging the gap between speculative development and the creativity that architects of his generation typically pursued only in the public sector. As the Architectural Review noted in February 1959: "Twenty years ago he would have been regarded as barely respectable, today he is important. He may even come to be looked back upon as a key figure"—an assessment that has proven accurate. The close partnership with Townsend, a sympathetic developer, enabled Lyons to pursue his own ideas in materials, layout, and design. Yet the blocks remained simple in conception, as Townsend explained to the Architects' Journal on 20 January 1955: the architect had to design and organise so that buildings could be produced at the same cost as a conventional builder's scheme providing equivalent accommodation.

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