Hagley Hall is a Grade I listed building in the Bromsgrove local planning authority area, England. First listed on 23 April 1952. A Palladian Country house. 6 related planning applications.
Hagley Hall
- WRENN ID
- stony-chapel-flax
- Grade
- I
- Local Planning Authority
- Bromsgrove
- Country
- England
- Date first listed
- 23 April 1952
- Type
- Country house
- Period
- Palladian
- Source
- Historic England listing
Description
Hagley Hall is a country house set in a landscaped park, built between 1754 and 1760 by the architect Sanderson Miller. The house was severely damaged by fire in 1925 and subsequently restored around 1927.
The building is constructed of sandstone ashlar with slate and plain tiled roofs, topped with massive sandstone chimney stacks. It follows a compact, symmetrical rectangular plan with square projecting corner pavilions. The main structure rises two storeys above a rusticated basement, with the pavilions extending an additional storey and topped with shallow pyramidal roofs. A band marks the division between basement and ground floor, with a ground floor sill string and moulded eaves cornice surmounted by a balustraded parapet (the main roofs behind the parapet are visible remnants from before the 1925 fire).
The house is designed in the Palladian style. The main elevations to the south-west and north-east each contain eleven bays, articulated as 1:3:3:3:1, with the pavilions forming the outer bays. The central three bays break forward slightly and are capped with a simple pediment. The side elevations contain 1:3:1 bays. The basement features 6-light windows with rusticated voussoirs; the pavilion windows project forward and rise to ground floor sill string level. Windows at the centre of the side elevations are round-headed with stepped voussoirs. Ground floor windows have moulded architraves and cornices and are all 12-pane sashes with panels of blind balustrading beneath the sill string (except on the side elevations); pavilion windows have pediments on consoles and shouldered architraves. First floor windows are square 6-pane sashes with moulded architraves; the pavilion window architraves are eared. The additional storey of the pavilions has a sill string formed by the continuation of the balustraded parapet coping, with 9-pane sashes featuring moulded architraves, cornices, and a panel of blind balustrading beneath the sill string.
The south-west entrance elevation features a balustraded and rusticated perron with a double flight of steps leading to the central entrance. This entrance is marked by a pedimented distyle Ionic portico with partly glazed double doors and a transom light. At the centre of the perron is a semi-circular archway providing access to the basement. The south-east elevation, in place of an entrance, contains a window with a pediment on consoles and shouldered architrave.
The interior was extensively damaged by fire around 1925 and has been restored. The house contains much ornate Rococo stuccowork by Francesco Vassali. The Entrance Hall, known as the White Hall, features substantial stuccowork with niches containing figures copied from the Pitti Palace, and a stone chimneypiece by James Lovell with atlantes supporting urns and a relief of Pan offering the fleece to Diana, signed by Vassali. The Dining Room is similarly ornate, with its ceiling reinstated from photographs, and is decorated with festoons and trophies hung from ribbons that are emblematic of George Lyttleton's interests. The gallery along the south-west side has a Rococo ceiling with a chinoiserie theme and is divided into three bays by two screens of Corinthian columns. The Drawing Room, also called the Tapestry Room, has survived with very little alteration and retains gilded stuccowork with medallions painted by James "Athenian" Stuart on the ceilings. The Barrel Room was created after the fire and features a barrel roof, Tudor panelling, and a chimneypiece dated to 1585. Fireplaces throughout the house are elaborately detailed. The original staircase has not survived in its original state.
Hagley Hall represents the last of the great Palladian houses and was probably influenced by Croome Court in Worcestershire, which was begun by Capability Brown in 1751 and in which Miller had become involved. Both Hagley and Croome drew inspiration from Colen Campbell's Houghton Hall in Norfolk, begun in 1722. At Hagley, the architectural lines are cleaner, the detail more restrained, and the emphasis is placed even more pronounced on the ends rather than the centre of the building.
Hagley Hall is the seat of the Viscount Cobham.
Detailed Attributes
Matched applications, energy data and sale records are assembled automatically and may contain errors. Flag incorrect data.