Washwell Cottage is a Grade II listed building in the Shropshire local planning authority area, England. First listed on 20 March 2003. A Early 18th century Cottage.

Washwell Cottage

WRENN ID
unlit-sill-ebony
Grade
II
Local Planning Authority
Shropshire
Country
England
Date first listed
20 March 2003
Type
Cottage
Period
Early 18th century
Source
Historic England listing

Description

825/0/10052 20-MAR-03

MUNSLOW Washwell Cottage

II

Early C18 smallholder's cottage with mid-C19 addition. Built of local uncoursed pink sandstone rubble with corrugated iron roof replacing original thatch; plain clay tile roof to C19 addition. PLAN: The original cottage is of single-cell plan, aligned north-west to south-east, with single-storey gabled addition, divided into 2 small rooms, attached to north-west gable end. EXTERIOR: Front elevation has mid-C20 gabled porch to left with 4-panel outer door (top panels glazed) and plank inner door; 2-light C20 casements, one on each floor, and integral end stack to right with diagonally set brown brick chimney. Rear elevation has 2-light casement on each floor to centre (lower C19, C20 above) and bread oven projection to left. 2 single-light segmental-headed casements to gable end of C19 addition. INTERIOR: Main ground-floor room has substantial cross-beam and roughly chamfered joists; partly infilled inglenook fireplace with C19 mantleshelf has straight-flight oak staircase to right with winder to top. Corresponding room on first floor has wide floorboards and substantial chimney breast. Quarry tile floor in C19 addition. HISTORY: Smallholders' cottages of this type, typical of Shropshire and the Welsh borders, are characteristically found in locations such as this, by a quarry or on the edge of common land. In 1953 the cottage became the home of Fred Jordan (1922-2002), a local farm worker who as one of the last genuine rustic English folk-singers to learn his songs via an ancient oral-based tradition recorded a number of albums and became nationally known on the traditional folk music scene. During this time it underwent little modernisation or change, as despite his success as a recording artist, Jordan continued to retain the values, lifestyle and outward trappings of a pre-war farm worker. (Obituary in The Times, 13 August 2002).

Detailed Attributes

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