Church Of St Mary Magdalene is a Grade I listed building in the South Kesteven local planning authority area, England. Church.

Church Of St Mary Magdalene

WRENN ID
eastward-grate-weasel
Grade
I
Local Planning Authority
South Kesteven
Country
England
Type
Church
Source
Historic England listing

Description

Church of St Mary Magdalene

Parish church of mixed date. The building contains work from the 11th century through to the 20th century, with a major chancel rebuild in 1873 and a 20th-century boiler room. It is constructed of coursed and squared limestone rubble with ashlar dressings and is roofed in lead and Collyweston slate.

The church comprises a western tower, nave with clerestory, north aisle, chancel and south porch.

The 3-stage tower dates to the 13th century and features a plinth, chamfered and roll-moulded string courses, and a battlemented parapet with angle chutes. Above rises a recessed octagonal ashlar spire with 2-light lucarnes in the principal directions, a floriate knopped top and weather vane. The 2-light belfry openings have heavy Y tracery with chamfered surrounds and hood moulds. On the south side of the ground stage is a blank pointed opening and a reset 18th-century grave slab. The second stage has a narrow rectangular light. The west window is 16th-century work, comprising 2 lights with cusped heads, a triangular head and hood mould, set within a roll and wave-moulded surround. The west window of the north aisle is similar. A 20th-century boiler house stands between the aisle and tower.

The squared rubble north aisle has a moulded parapet, 3 stepped buttresses with bell-moulded bases, a 13th-century pointed doorway in chamfered surround, and a 3-light 14th-century window with ogee heads to the lights, flat head and hood mould. The east wall contains a 19th-century 2-light window with pointed heads and a quatrefoil. The 14th-century ashlar clerestory has a moulded parapet with 3 two-light windows featuring cusped ogee heads and moulded pointed surrounds.

The chancel, rebuilt around 1873, is roofed in Collyweston slate and contains 2-light windows in the north wall and 2 matching windows in the south wall, all with cusped heads and trefoils. The matching east window is of 3 lights with 2 quatrefoils to the head.

The south wall of the nave has 3 tall stepped buttresses, a chamfered string course and moulded parapet. It features a late 13th-century 3-light window with intersecting tracery and hood mould, and an early 13th-century 2-light window with rounded heads to the tall lights. A matching clerestory is above.

The 14th-century gabled porch has a pointed outer doorway with moulded octagonal capitals, side benches, single 2-light ogee-headed side windows, and a ribbed roof. The inner doorway is late 12th-century work, round-headed, with dogtooth to the inner chamfer.

Interior

The interior contains a 3-bay 12th-century north arcade with circular columns, responds and abaci. The arches are double-chamfered and round, now bearing 19th-century painted texts. The arcade was clearly inserted into an earlier wall, which retains 11th-century herringbone masonry. Above the arcade is the scar of an earlier roof.

The late 13th-century triple-chamfered tower arch dies to the reveals. A 14th-century double-chamfered chancel arch has octagonal responds and embattled imposts. To the north of this arch is a 14th-century niche with cusped ogee head and pinnacles. In the eastern reveal of the easternmost south nave window is another 14th-century niche with a trefoil head and ballflower decoration to the underside of the base. Beneath the window cill is a hacked-back piscina. High on the north side is a blocked doorway to the roof loft.

The nave and aisle roofs are 16th-century work, restored in the 19th century, retaining moulded principals, angel supporters and floriate bosses. In the chancel is a 19th-century double-chamfered arch to the vestry and a 19th-century roof supported on contemporary human head corbels. The east window contains 19th-century stained glass.

A 16th-century octagonal font has quatrelobe panels bearing the symbols of the passion and other devices, with a frieze of flowers and other tendrils around the top.

Among the monuments is a repositioned brass plaque to Elizabeth Lack (died 1661) in the north aisle, engraved with a coat of arms.

Detailed Attributes

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